Harold Edgar Clurman (1901–80) was an American theater director, critic, and essayist, best known as one of the founders of the Group Theatre. His work helped shape modern American theater, emphasizing socially conscious drama and ensemble performance, and his writings and productions influenced generations of actors, directors, and playwrights.
Born in New York City, Clurman grew up in a Jewish immigrant family. He studied at Columbia University and later at the University of Paris (Sorbonne,) where he was exposed to European theater movements. His early career included acting and writing criticism, but his breakthrough came in 1931 when he co-founded the Group Theatre with Lee Strasberg and Cheryl Crawford. The Group Theatre became a landmark in American drama, producing socially relevant plays such as Clifford Odets’s Waiting for Lefty (1935) and Awake and Sing! (1935.) Clurman’s vision emphasized ensemble acting and theater as a vehicle for social change.
Clurman directed and wrote extensively throughout his career. His productions included Paradise Lost (1935,) Men in White (1933,) and later Broadway successes such as Bus Stop (1955) and The Member of the Wedding (1950.) As a critic for The Nation and other publications, he wrote essays collected in The Divine Pastime (1969) and On Directing (1972,) which remain influential texts for theater practitioners. His autobiography, The Fervent Years (1947,) chronicled the history of the Group Theatre and his philosophy of socially engaged art.
Biographies include theater historian Wendy Smith’s Real Life Drama: The Group Theatre and America, 1931–40 (1990) and critic Joseph Zeigler’s Harold Clurman: A Life of Theater (1981.)
More: Wikipedia • READ: Works by Harold Clurman
Unlike other people, our reviewers are powerful because they believe in nothing.
—Harold Clurman
Topics: Criticism, Critics
The stage is life, music, beautiful girls, legs, breasts, not talk or intellectualism or dried-up academics.
—Harold Clurman
Topics: Theater
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