Milan Kundera, (b.1929) is a Czech novelist, short-story writer, playwright, essayist, and poet living in France. His works combine sexual comedy with political criticism and philosophical speculation.
Born in Brno, Czechoslovakia, now in the Czech Republic, Kundera was educated in Prague at Charles University and the Academy of Music and Dramatic Arts Film Faculty. He worked as a laborer and a jazz musician before devoting himself to literature. For several years, he was a professor at the Prague Institute for Advanced Cinematographic Studies. Zert (1969; The Joke,) his first novel, was published in 1967.
Kundera’s books were proscribed in Czechoslovakia following the Soviet military invasion of 1968. He immigrated to France in 1975, was stripped of his Czech citizenship in 1979, and became a French citizen two years later.
In exile, Kundera has emerged as one of the major European writers of the late 20th century. His novels, including Valčík na rozloučenou (1976; The Farewell Party,) Kniha smíchu a zapomnění (1979; The Book of Laughter and Forgetting,) and the semi-autobiographical Nesnesitelná lehkost bytí (1984; The Unbearable Lightness of Being,) were published in France and elsewhere abroad but, until the fall of communism, were banned in his homeland.
Nesmrtelnost (1988; Immortality) was Kundera’s last novel written in Czech; he subsequently wrote in French. His wide-ranging critical essays appear in L’Art du roman (1986; The Art of the Novel,) Les Testaments trahis (1993; Testaments Betrayed,) Le Rideau (2005; The Curtain,) and Une Rencontre (2009; An Encounter.)
More: Wikipedia • READ: Works by Milan Kundera
All great novels, all true novels, are bisexual.
—Milan Kundera
Topics: Authors & Writing, Fiction
Mysticism and exaggeration go together. A mystic must not fear ridicule if he is to push all the way to the limits of humility or the limits of delight.
—Milan Kundera
People are always shouting they want to create a better future. It’s not true. The future is an apathetic void of no interest to anyone. The past is full of life, eager to irritate us, provoke and insult us, tempt us to destroy or repaint it. The only reason people want to be masters of the future is to change the past.
—Milan Kundera
Topics: The Future, Future
Woman is the future of man. That means that the world which was once formed in man’s image will now be transformed to the image of woman. The more technical and mechanical, cold and metallic it becomes, the more it will need the kind of warmth that only the woman can give it. If we want to save the world, we must adapt to the woman, let ourselves be led by the woman, let ourselves be penetrated by the Ewigweiblich, the eternally feminine!
—Milan Kundera
Topics: Women
A worker may be the hammer’s master, but the hammer still prevails. A tool knows exactly how it is meant to be handled, while the user of the tool can only have an approximate idea.
—Milan Kundera
A wave of anger washed over me, anger against myself, at my age at the time, that stupid lyrically age, when a man is too great a riddle to himself to be interested in the riddles outside himself and when other people are mere walking mirrors in which he is amazed to find his own emotions, his own worth.
—Milan Kundera
Topics: Anger
The only truly serious questions are the ones that even a child can formulate.
—Milan Kundera
I think, therefore I am is the statement of an intellectual who underrates toothaches.
—Milan Kundera
Topics: Intelligence, Intellectuals
True human goodness, in all its purity and freedom, can come to the fore only when its recipient has no power.
—Milan Kundera
Topics: Goodness
We can never establish with certainty what part of our relations with others is the result of our emotions—love, antipathy, charity, or malice—and what part is predetermined by the constant power play among individuals.
—Milan Kundera
Topics: Relationships
There is nothing heavier than compassion. Not even one’s own pain weighs so heavy as the pain one feels with someone, for someone, a pain intensified by the imagination and prolonged by a hundred echoes.
—Milan Kundera
Topics: Kindness, Compassion
A gesture cannot be regarded as the expression of an individual, as his creation (because no individual is capable of creating a fully original gesture, belonging to nobody else), nor can it even be regarded as that person’s instrument; on the contrary, it is gestures that use us as their instruments, as their bearers and incarnations.
—Milan Kundera
Topics: Individuality
Nothing is more repugnant to me than brotherly feelings grounded in the common baseness people see in one another.
—Milan Kundera
Topics: Humanity
A novel that does not uncover a hitherto unknown segment of existence is immoral. Knowledge is the novel’s only morality.
—Milan Kundera
Topics: Authors & Writing, Fiction
The struggle of man against power is the struggle of memory against forgetting.
—Milan Kundera
Topics: Memory
The light that radiates from the great novels time can never dim, for human existence is perpetually being forgotten by man and thus the novelists discoveries, however old they may be, will never cease to astonish.
—Milan Kundera
Topics: Books
Nothing requires a greater effort of thought than arguments to justify the rule of non-thought.
—Milan Kundera
Topics: Arguments
Happiness is the longing for repetition.
—Milan Kundera
Topics: Happiness
Nudity is the uniform of the other side… nudity is a shroud.
—Milan Kundera
The Greek word for ‘return’ is nostos. Algos means ‘suffering.’ So nostalgia is the suffering caused by an unappeased yearning to return.
—Milan Kundera
Optimism is the opium of the people.
—Milan Kundera
Topics: Optimism
The serial number of a human specimen is the face, that accidental and unrepeatable combination of features. It reflects neither character nor soul, nor what we call the self. The face is only the serial number of a specimen.
—Milan Kundera
Topics: Face, Faces
The word change, so dear to our Europe, has been given a new meaning: it no longer means a new stage of coherent development (as it was understood by Vico, Hegel or Marx), but a shift from one side to another, from front to back, from the back to the left, from the left to the front (as understood by designers dreaming up the fashion for the next season).
—Milan Kundera
Topics: Change
Immortality no longer interests the weary old man at all.
—Milan Kundera
Topics: Immortality
The present era grabs everything that was ever written in order to transform it into films, TV programs; or cartoons. What is essential in a novel is precisely what can only be expressed in a novel, and so every adaptation contains nothing but the non-essential. If a person is still crazy enough to write novels nowadays and wants to protect them, he has to write them in such a way that they cannot be adapted, in other words, in such a way that they cannot be retold.
—Milan Kundera
Topics: Books, Literature
The source of anxiety lies in the future. If you can keep the future out of mind, you can forget your worries.
—Milan Kundera
Topics: Anxiety
No great movement designed to change the world can bear to be laughed at or belittled. Mockery is a rust that corrodes all it touches.
—Milan Kundera
Topics: Activism
For a novelist, a given historic situation is an anthropologic laboratory in which he explores his basic question: What is human existence?
—Milan Kundera
Topics: Literature, Books
Mankind’s true moral test, its fundamental test (which lies deeply buried from view), consists of its attitude towards those who are at its mercy: animals. And in this respect mankind has suffered a fundamental debacle, a debacle so fundamental that all others stem from it.
—Milan Kundera
Topics: Animals
Let us consider the critic, therefore, as a discoverer of discoveries.
—Milan Kundera
Topics: Critics, Criticism
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