Inspirational Quotations

Inspirational Quotes by W. H. Auden (British-born American Poet)

Wystan Hugh Auden (1907–73,) known as W. H. Auden, was an English-born American poet. He was one of the major poets of the 20th century—he published more than 400 poems, essays, plays, and opera libretti.

Auden’s first volume of poetry, Poems (1930,) written while he was still an undergraduate, established him as the leading voice in a group of young left-wing writers, which included Stephen Spender, Louis MacNeice, Cecil Day-Lewis, and Christopher Isherwood. His The Orators (1932,) a volume consisting of odes, parodies of school speeches and sermons, and the surreal “Journal of an Airman,” provided a barrage of satire against England.

Auden traveled widely during the subsequent years. He and Isherwood worked together on a series of plays, such as The Ascent of F6 (1936.) Auden joined the Republican cause in the Spanish Civil War and wrote Spain (1937.) In 1939, he emigrated to New York, becoming a U.S. citizen in 1946. His writings on religion continued to evolve—his work became increasingly overshadowed by his Christian belief and an existential search for redemption. His long contemplative works include The Double Man (1941,) The Sea and the Mirror (1944,) For the Time Being (1944,) and The Age of Anxiety (1947,) for which won the Pulitzer Prize in 1948.

From 1956–61, Auden was a professor of poetry at Oxford University. His poetry adopts many tones, often using colloquial and everyday language. Auden’s Collected Poems was published in 1976.

More: Wikipedia READ: Works by W. H. Auden

Slavery is so intolerable a condition that the slave can hardly escape deluding himself into thinking that he is choosing to obey his master’s commands when, in fact, he is obliged to. Most slaves of habit suffer from this delusion and so do some writers, enslaved by an all too “personal” style.
W. H. Auden
Topics: Slavery

Geniuses are the luckiest of mortals because what they must do is the same as what they most want to do.
W. H. Auden
Topics: Genius

Of course, behaviorism works. So does torture. Give me a no-nonsense, down-to-earth behaviorist, a few drugs, and simple electrical appliances, and in six months I will have him reciting the Athanasian Creed in public.
W. H. Auden
Topics: Behavior, Manners

If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact that we not only have feelings but insist upon having them at whatever cost to ourselves. The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Brunnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni.
W. H. Auden
Topics: Opera

One cannot walk through an assembly factory and not feel that one is in Hell.
W. H. Auden
Topics: Hell

Aphorisms are essentially an aristocratic genre of writing. The aphorist does not argue or explain, he asserts; and implicit in his assertion is a conviction that he is wiser and more intelligent than his readers.
W. H. Auden
Topics: Quotations

No good opera plot can be sensible, for people do not sing when they are feeling sensible.
W. H. Auden
Topics: Opera

Among those whom I like or admire, I can find no common denominator, but among those I love, I can: all of them make me laugh.
W. H. Auden
Topics: Laughter, Love, Humor

What the mass media offers is not popular art, but entertainment which is intended to be consumed like food, forgotten, and replaced by a new dish.
W. H. Auden
Topics: Media

A tremendous number of people in America work very hard at something that bores them. Even a rich man thinks he has to go down to the office everyday. Not because he likes it but because he can’t think of anything else to do.
W. H. Auden
Topics: Work

Civilizations should be measured by the degree of diversity attained and the degree of unity retained.
W. H. Auden

If the most significant characteristic of man is the complex of biological needs he shares with all members of his species, then the best lives for the writer to observe are those in which the role of natural necessity is clearest, namely, the lives of the very poor.
W. H. Auden
Topics: Literature, Books

Narcissus does not fall in love with his reflection because it is beautiful, but because it is his. If it were his beauty that enthralled him, he would be set free in a few years by its fading.
W. H. Auden
Topics: Vanity, Conceit

And none will hear the postman’s knock
Without a quickening of the heart.
For who can bear to feel himself forgotten?
W. H. Auden
Topics: Letters

Some books are undeservedly forgotten; none are undeservedly remembered.
W. H. Auden
Topics: Books, Reading

A false enchantment can all too easily last a lifetime.
W. H. Auden
Topics: Love

It takes little talent to see clearly what lies under one’s nose, a good deal of it to know in which direction to point that organ.
W. H. Auden
Topics: Foresight, Talent

Machines are beneficial to the degree that they eliminate the need for labor, harmful to the degree that they eliminate the need for skill.
W. H. Auden
Topics: Science

The class distinctions proper to a democratic society are not those of rank or money, still less, as is apt to happen when these are abandoned, of race, but of age.
W. H. Auden
Topics: Government, Age

God is Love, we are taught as children to believe. But when we first begin to get some inkling of how He loves us, we are repelled; it seems so cold, indeed, not love at all as we understand the word.
W. H. Auden
Topics: God

Let us honor if we can the vertical man, though we value none but the horizontal one.
W. H. Auden
Topics: Honor

A professor is one who talks in someone else’s sleep.
W. H. Auden
Topics: Teaching, Education, Teachers

It is already possible to imagine a society in which the majority of the population, that is to say, its laborers, will have almost as much leisure as in earlier times was enjoyed by the aristocracy. When one recalls how aristocracies in the past actually behaved, the prospect is not cheerful.
W. H. Auden
Topics: Rest, Leisure

Poetry makes nothing happen. It survives in the valley of its saying.
W. H. Auden
Topics: Poetry

Nobody knows what the cause is, though some pretend they do; it like some hidden assassin waiting to strike at you. Childless women get it, and men when they retire; it as if there had to be some outlet for their foiled creative fire.
W. H. Auden
Topics: Cancer

Drama is based on the Mistake. I think someone is my friend when he really is my enemy, that I am free to marry a woman when in fact she is my mother, that this person is a chambermaid when it is a young nobleman in disguise, that this well-dressed young man is rich when he is really a penniless adventurer, or that if I do this such and such a result will follow when in fact it results in something very different. All good drama has two movements, first the making of the mistake, then the discovery that it was a mistake.
W. H. Auden
Topics: Theater

Rhymes, meters, stanza forms, etc., are like servants. If the master is fair enough to win their affection and firm enough to command their respect, the result is an orderly happy household. If he is too tyrannical, they give notice; if he lacks authority, they become slovenly, impertinent, drunk and dishonest.
W. H. Auden
Topics: Poetry

Man is a history-making creature who can neither repeat his past nor leave it behind.
W. H. Auden
Topics: History, Past

My face looks like a wedding-cake left out in the rain.
W. H. Auden
Topics: Face, Faces

My deepest feeling about politicians is that they are dangerous lunatics to be avoided when possible and carefully humored; people, above all, to whom one must never tell the truth.
W. H. Auden
Topics: Politics

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