Erica Mann Jong (b.1942) is an American novelist and poet. A feminist writer, she has published fiction, collections of poetry, and myriad articles about the lives of women, focusing on stories of sex, love, and adventure.
Born in New York City, Jong graduated from Barnard College (1963.) She is best known for her picaresque novels Fear of Flying (1973,) narrating the adventures of an intense, neurotic New York woman who enjoys a lively sexual experience for two weeks with an existentialist Englishman and Fanny (1980,) written in a pseudo-18th Century style.
Jong’s other novels include Serenissima (1987,) concerning an American movie actress in Venice who is mesmerized as the daughter of Shylock and the friend of Shakespeare, Any Woman’s Blues (1990,) about a woman addicted to sex, and Sappho’s Leap (2003,) a novel imagining the adventures of the Greek poet Sappho. Her poems appear in Fruits and Vegetables (1971,) Half-Lives (1973,) Loveroot (1975,) At the Edge of the Body (1979,) and Ordinary Miracles (1983.)
Jong’s Witches (1981) is a work of nonfiction, investigates the whole concept of the witch, and What Do Women Want? (1998) is an anthology of prose pieces about the changing lives of women in the twentieth century. The Devil at Large: On Henry Miller (1993) is a biographical and critical reassessment of Miller and his works.
Jong’s memoir is Fear of Fifty (1994.)
More: Wikipedia • READ: Works by Erica Jong
Friends love misery, in fact. Sometimes, especially if we are too lucky or too successful or too pretty, our misery is the only thing that endears us to our friends.
—Erica Jong
Topics: Misery, Money
There is simply no dignified way for a woman to live alone. Oh, she can get along financially perhaps (though not nearly as well as a man), but emotionally she is never left in peace. Her friends, her family, her fellow workers never let her forget that her husbandlessness, her childlessness—her selfishness, in short—is a reproach to the American way of life.
—Erica Jong
Topics: Women
It takes courage to live a life, any life.
—Erica Jong
I have not ceased being fearful, but I have ceased to let fear control me. I have accepted fear as a part of life—specifically the fear of change, the fear of the unknown; and I have gone ahead despite the pounding in my heart that says: turn back, turn back, you’ll die if you venture too far.
—Erica Jong
Topics: Perseverance, Courage, Change, Resolve, Acceptance, Endurance, Anxiety, Moving on, Fear
Growing up female in America. What a liability! You grew up with your ears full of cosmetic ads, love songs, advice columns, whoreoscopes, Hollywood gossip, and moral dilemmas on the level of TV soap operas. What litanies the advertisers of the good life chanted at you! What curious catechisms!
—Erica Jong
Topics: America, Women
Where is Hollywood located? Chiefly between the ears. In that part of the American brain lately vacated by God.
—Erica Jong
Topics: Hollywood
I went for years not finishing anything. Because, of course, when you finish something you can be judged … I had poems which were rewritten so many times I suspect it was just a way of avoiding sending them out.
—Erica Jong
Topics: Resolve, Perseverance, Endurance
I write lustily and humorously. It isn’t calculated; it’s the way I think. I’ve invented a writing style that expresses who I am.
—Erica Jong
Topics: Talents, Abilities, Work
My reaction to porn films is as follows: After the first ten minutes, I want to go home and screw. After the first 20 minutes, I never want to screw again as long as I live.
—Erica Jong
Topics: Pornography
Sometimes it was worth all the disadvantages of marriage just to have that: one friend in an indifferent world
—Erica Jong
Topics: Marriage
Betrayal does that—betrays the betrayer.
—Erica Jong
Topics: One liners, Betrayal
Every country gets the circus it deserves. Spain gets bullfights. Italy gets the Catholic Church. America gets Hollywood.
—Erica Jong
Men and women, women and men; it will never work.
—Erica Jong
Topics: Men, Men & Women, Women
To name oneself is the first act of both the poet and the revolutionary. When we take away the right to an individual name, we symbolically take away the right to be an individual. Immigration officials did this to refugees; husbands routinely do it to wives.
—Erica Jong
Topics: Identity, Names
There is a rhythm to the ending of a marriage just like the rhythm of a courtship—only backward. You try to start again but get into blaming over and over. Finally you are both worn out, exhausted, hopeless. Then lawyers are called in to pick clean the corpses. The death has occurred much earlier.
—Erica Jong
Topics: Marriage
Isn’t that the problem? That women have been swindled for centuries into substituting adornment for love, fashion (as it were) for passion? All the cosmetics names seemed obscenely obvious to me in their promises of sexual bliss. They were all firming or uplifting or invigorating. They made you tingle. Or glow. Or feel young. They were prepared with hormones or placentas or royal jelly. All the juice and joy missing in the lives of these women were to be supplied by the contents of jars and bottles. No wonder they would spend twenty dollars for an ounce of face makeup or thirty for a half-ounce of hormone cream. What price bliss? What price sexual ecstasy?
—Erica Jong
Topics: Women
Everyone has a talent. What is rare is the courage to nurture it in solitude and to follow the talent to the dark places where it leads.
—Erica Jong
Topics: Courage, Talent, Ability
In a bad marriage, friends are the invisible glue. If we have enough friends, we may go on for years, intending to leave, talking about leaving—instead of actually getting up and leaving.
—Erica Jong
Topics: Friends and Friendship
Back in the days when men were hunters and chest beaters and women spent their whole lives worrying about pregnancy or dying in childbirth, they often had to be taken against their will. Men complained that women were cold, unresponsive, frigid. They wanted their women wanton. They wanted their women wild. Now women were finally learning to be wanton and wild—and what happened?. The men wilted.
—Erica Jong
Topics: Pregnancy, Sex
Perhaps all artists were, in a sense, housewives: tenders of the earth household.
—Erica Jong
Topics: Housework
Anger is really disappointed hope.
—Erica Jong
Topics: Anger
I know some good marriages—marriages where both people are just trying to get through their days by helping each other, being good to each other.
—Erica Jong
Topics: Kindness, Giving, Service
Oh Doris Lessing, my dear—your Anna is wrong about orgasms. They are no proof of love—any more than that other Anna’s fall under the wheels of that Russian train was a proof of love. It’s all female shenanigans, cultural mishegoss, conditioning, brainwashing, male mythologizing. What does a woman want? She wants what she has been told she ought to want. Anna Wulf wants orgasm, Anna Karenina, death. Orgasm is no proof of anything. Orgasm is proof of orgasm. Someday every woman will have orgasms—like every family has color TV—and we can all get on with the real business of life.
—Erica Jong
Topics: Sex
And what is laughter anyway? Changing the angle of vision. That is what you love a friend for: the ability to change your angle of vision, bring back your best self when you feel worst, remind you of your strengths when you feel weak.
—Erica Jong
Jealousy is all the fun you think they had.
—Erica Jong
Topics: Jealousy, Envy, Principles
Gossip is the opiate of the oppressed.
—Erica Jong
Topics: Gossip
A book burrows into your life in a very profound way because the experience of reading is not passive.
—Erica Jong
Topics: Reading
It takes courage to lead a life. Any life.
—Erica Jong
Topics: Danger, Risk, Courage
Solitude is un-American.
—Erica Jong
Topics: Solitude, America
Pregnancy seemed like a tremendous abdication of control. Something growing inside you which would eventually usurp your life.
—Erica Jong
Topics: Pregnancy
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